Exciting sprinters Doull (Snitzel) and Arkansaw Kid (Harry Angel), as well as G1 VRC Derby prospect Sunsets (Dundeel) advanced their credential for future stud careers with stirring black type victories on a productive day for Inglis graduates at Caulfield.
A horse that Gai Waterhouse considers “one of the most talented 3YOs racing in Sydney”, 3YO Belieber (Zoustar), heads an impressive line-up in the Inglis Digital December Online Auction, which is now open for bidding.
Although it was a close competition for most of the year, Italian-born, British-based jockey Lanfranco “Frankie” Dettori has defeated North America’s Victor Espinoza and England’s Ryan Moore for the title of 2015 Longines World’s Best Jockey.
The Melbourne Cup Carnival was named the winner of the Major Festivals and Events category for the third consecutive year at Monday's Victorian Tourism Awards.
Flemington’s first day of Melbourne’s Spring Carnival saw Inglis graduates sweep the first four races of the day, highlighted by Chautauqua’s gripping Group 2 Gilgai Stakes victory, cementing plans for a trip to Hong Kong at the end of the year.
Upbeat three-year-olds Not Listenin’tome and Jazz Song created plenty of noise over the weekend with strong victories at Group 3 level moving into the Autumn Carnival.
The male nude, albeit hindquarters only, was a ring-in for the Inglis Equine Art Prize. ''We diversified this year,'' Arthur Inglis, judge and prime mover of the award, said.
For the second year a Victorian water colour artist has taken line honours at the Inglis Equine Art Prize (IEAP), with Jason Roberts claiming the 2013 title for his work "Valyra Passes Beauty Parlour at Chantilly" in the face of stiff competition from well over 100 entries.
Created by Inglis’ Deputy Chairman Arthur Inglis in association with Australian Art Sales Director Mike Coward to encourage and promote thoroughbred art, the Inglis Equine Art Prize is the only one of its kind in Australia, with the winner receiving A$15,000 in prizemoney.
Inglis will be throwing open the gates at their Newmarket complex on Sunday 5 May for a new Syndication Open Day where prospective investors can view a parade of newly acquired yearlings that are being offered for syndication.
After watching Black Caviar push herself through one of the most publicised exhibition gallops in Australian racing, Peter Moody had little doubt that his champion was back in town. Literally.
There will be a taste of what is to come when Australia’s unbeaten champion Black Caviar returns to the racetrack for an exhibition gallop at Caulfield this Saturday.
The win of Rising Empire in Singapore’s Juvenile Championship at the end of July capped off a stellar twelve months for Australian racehorses, with the reach of horses bred or sold ‘Down Under’ continuing to spread across the globe.
The Inglis Equine Art Prize is on again in 2012. Showcasing the greatest thoroughbred artwork from around the globe this year’s competition theme is ‘At the Track’.
SEA GALLEON, the rising Australian stayer who was very impressive in taking out the Christmas Cup (2400m) at Rosehill Gardens on Saturday, has as a mast in his very strong pedigree one of the best classic racemares produced in Queensland in the past thirty years.
The inaugural Inglis Equine Art Prize has been won by Kristin Hardiman from Thornleigh, NSW.
The local artist beat a pool of entries from all over the world with her touching portrayal of a protective mare and her foal.
Entries have come in from Australia, New Zealand, Canada, Europe and America for Australia’s first art prize devoted to the thoroughbred form – the Inglis Equine Art Prize.
The noble worlds of art and thoroughbreds come together with the inaugural Inglis Equine Art Prize.
Arthur Inglis, fifth generation of Australia’s most esteemed thoroughbred family, has created the Prize in association with Mike Coward from Australian Art Sales, to “protect and promote” a classic art form.